| Sat 28 Aug Schaubühne Lindenfels | |
| 7 pm | A CONTRALUZ FIRE WILL COME ES/FR/LU 2019 • D: Oliver Laxe, C: Amador Arias, Benedicta Sánchez • 85′ • Orig. with Eng. subs • DCP |
| 9 pm | ON THE NAMES OF THE GOATS ES 2019 • D: Silvia Navarro, Miguel G. Morales • Doc • 63′ • Orig. with Eng. subs • DCP In the presence of Miguel G. Morales |
Today GEGENkino continues with our special program A CONTRALUZ – a selection of contemporary Spanish Cinema. Both will be screened at Schaubühne Lindenfels. We begin with Fire will Come and afterwards we screen On the Name of the Goats.
with support by the Embassy of Spain in Berlin
| Sat 28 Aug | Schaubühne Lindenfels |
| 7 pm | With an introduction by Ricardo Apilánez regular: 6,5€ / reduced 5,5€ double feature: 11€ / reduced 9€ |
| Fri 27 Aug Luru Kino | |
| 7 pm | BRUCHSTELLEN RODINA MEANS HOME DE 1992 • D: Helga Reidemeister • Doc • 114′ • ger. • 16mm With an introduction by Elina Reitere |
| 10 pm | OPEN AIR IS IT EASY TO BE YOUNG? SU/Lettische SSR 1986 • D: Juris Podnieks • Doc • 83′ • Orig. with Eng. subs • DCP With an introduction by Elina Reitere |
Today we start our program BRUCHSTELLEN at the Luru-Kino in der Spinnerei. First we show indoors Rodina means Home afterwards depending on the weather Is It Easy To Be Young will be shown at Luru Open Air or again inside.
Because of the weather both events will be inside!
| Fri 27 Aug | Luru Kino in der Spinnerei |
| 7 pm | With an introduction by Elina Reitere single film: 6,5€ / reduced 5,5€ double feature: 11€ / reduced 9€ |
| Do 26.08. UT Connewitz | |
| 19 Uhr | The Twentieth Century CA 2019, R: Matthew Rankin, D: Dan Beirne, Mikhaïl Ahooja, Catherine Saint-Laurent, 90′, OmU, DCP |
| 2cl Sommerkino auf Conne Island 21.30 Uhr | Ham on Rye US 2019, R: Tyler Taormina, D: Haley Bodell, Audrey Boos, Gabriella Herrera, 85′, OmU, DCP |
GER 1920, D: Paul Wegener, Carl Boese, A: Paul Wegener, Albert Steinrück, Lyda Salmonova, Ernst Deutsch, 76′, tinted, DCP 4K
Tickets (€ 12) available via: https://www.tixforgigs.com/Event/38121)
Live scoring THE GOLEM by Paul Wegener and Carl Boese from 1920, the expressionist classic of Weimar cinema, appears fairly hidden. The story of Rabbi Löw who creates the clay figure Golem to avert the imminent expulsion of inhabitants of the Jewish ghetto of Prague in the 16th century. Out of a linkage of unfortunate circumstances, the figure subsequently opposes its creator. The film’s buildings, designed by Hans Poelzig, were leading the way for further set designs to come – until today, THE GOLEM is considered as a prototype for the horror genre. Everywhere, there are thronging phantasmagorias, nightmares of a world whose human faces have become grimaces, whose streets have got steep mountain paths, whose dwellings are warped and in danger of collapsing.
Similar to the magic the clay is being vitalised with turning it into a golem, Colombian sound artist and former geotechnical engineer Lucrecia Dalt will energise new abysses inside the images with her deep bass frequencies. Dalt is an internationally booked and acclaimed musician and performer. She moves freely between academic or museum settings and club contexts. In her subtle soundscapes, she subverts overly rigid ideas of form, experiments with South American rhythms, looped drone sounds and unique spoken word passages. She has transferred a geological framework to her musical approach: she compares her songwriting to ground and rock layers, which have deposited on earth’s surface as one large mass and yet are composited of single elements with individual characteristics. What emerges tonally is an unprecedented, surrealistically accumulated terrain.
| 4 September | UT Connewitz |
| 9 pm | € 12 [Tickets available via: TixforGigs] |
