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Just what happened last night…

Thanks, CIRCLE and Mika Taanila and everyone helping out for being the best… and, of course, thanks to our charming audience!

See you tonight at the last day of GEGENkino 2017 and the last day of our Mika Taanila hommage—with another short film reel, 16 and 35mm projections and the German premiere of RETURN OF THE ATOM (ATOMIN PALUU)—at UT Connewitz.

Sun, 16 May 2017

8pm, UT Connewitz
Short film reel II: THE FUTURE IS NOT WHAT IT USED TO BE
The Zone of Total Eclipse (FIN 2006, 6’, no dialogue, 2 x 16 mm), A Physical Ring (FIN 2002, 4’, no dialogue, 35mm), Future Is Not What It Used To Be (FIN 2002, 52’, OV/English subtitles, 35mm), Spindrift (FIN 1966/2013, 14’, OV/English subtitles, 35mm)

10pm, UT Connewitz
RETURN OF THE ATOM
(FIN, D 2015, 105’, Doc, D: Mika Taanila & Jussi Eerola, OV/English subtitles, BluRay)

Mika Vainio has died – The Wire

We were shocked when we heard from Mika Taanila yesterday that his long time collaborator, electronic music producer Mika Vainio (aka Ø), has passed away yesterday. The screening of Taanila’s work MANNERLAATTA (TECTONIC PLATE), for which Vainio did the soundtrack, will now also be an hommage to the pioneering works of Vainio. Likewise, the two screenings on Sunday will be dedicated to him: for one, the short film reel THE FUTURE IS NOT WHAT IT USED TO BE, which includes the film A PHYSICAL RING, also scored by Vainio, and the screening of RETURN OF THE ATOM, featuring music by Vainio’s collaborative project Pan Sonic. Our condolences go out to all friends and relatives.

See you tonight at Luru Kino.

Fri, 14 April 2017
8pm, Luru-Kino at the Spinnerei
Short film reel I: FUTURO 
Futuro – A New Stance for Tomorrow (FIN 1998, 28’, OV/English subtitles, 35mm), RoboCup99 (FIN 2000, 25’, OV/English subtitles , 35mm), Six Day Run (FIN 2013, 15’, OV/English subtitles, DCP), Optical Sound (FIN 2005, 6’, no dialogue, 35mm), Delay of Game (FIN 2017, 6’, no dialogue, 3D, file)

10pm, Luru-Kino at the Spinnerei
MANNERLAATTA (Tectonic Plate) (FIN 2016, 74’, OV/English subtitles, DCP) The Sad Song of Hard-Edged Transition Wipe Markers (FIN 2017, 4’, no dialogue, file)

Director Mika Taanila will be present for all the screenings.

There’s only a few unreserved seats left for the 10:30pm performance of COLOR FIELD IMMERSION. If you need some more reasons to come over tonight, check that RadioBlau teaser—thanks again to Melanie Albrecht for this one!— or, alternatively, Doron Sadja’s bandcamp page.

See you soon!

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COLOR FIELD IMMERSION

Light and sound performance by Doron Sadja

The attempt to make the cinematic experience more direct, immersive and intense for the audience had to its last grand manifestation in the revival of 3D cinema. Whether it really succeeded in heaving cinematic experience and perception to a new level can be doubted, especially in cases where technology remains merely gimmick rather than becoming an artistic instrument. In his very diverse works, US media artist and ambient musician Doron Sadja is consistently looking for new ways of sounding out the audience’s experiences on auditive and visual levels and thus, making hidden realms of sensual perception accessible to them. At it, experiments of perception and technological set ups from the history of science are often his starting points. For COLOR FIELD IMMERSION, Sadja has addressed the so-called “Ganzfeld experiments” of the 1970s. In these tests, the eyes of the participants were blindfolded with translucent materials and coloured light projected onto them. By this continuous sensual deprivation on the part of the participants, some people were hoping to activate clairvoyant and telepathic capabilities. Without adhering to these parascientific ambitions, Sadja took the test situation and developed his COLOR FIELD IMMERSION performance from it. Along with a matching electronic multi-channel soundtrack in the style of Sadjas “Breath Heart Skin” album the cinema screen will be moved to only a few centimeters before the retina, so that Sadja’s visual compositions will hit every single spectator differently depending on spacial position and current frame of mind. A parakinematographic situation, in which there run just as many films as there are pairs of eyes.

People with photosensitive epilepsy be adverted that there will be intensive light stimuli during this event.

13 April, 9pm & 10:30pm – UT Connewitz – € 12 (10 red.)

Since we all want you to get a sufficient dose of light and sound tomorrow, DORON SADJA will offer a second run of his COLOR FIELD IMMERSION performance at 10:30pm. 
The first run is already booked out, so all your further reservations will have to be for the second one.

13 April, 9pm & 10:30pm – UT Connewitz – € 12 (10 red.)

Hope you’ll all have a good trip! 

Your GEGENkino crew

Wooh, Luru was packed yesterday! Thanks a lot for coming in such quantity!

IMPORTANT!

Seems like today won’t be much different. So, those of you who want to come and see Julian Radlmaier’s SELBSTKRITIK EINES BÜRGERLICHEN HUNDES today, please make a reservation by writing a mail to info[at]luru-kino.de. Those of you who have a festival ticket should be at Luru-Kino 20min before the beginning of the film (i.e. 7:40pm), so you’ll be guaranteed to get a seat. (If you can’t make it early enough, please make a reservation as well to be safe.)

SELBSTKRITIK EINES BÜRGERLICHEN HUNDES / SELF-CRITICISM OF A BOURGEOIS DOG

(GER 2017, D: Julian Radlmaier, A: Julian Radlmaier, Deragh Campbell, Kyung-Taek Lie, Beniamin Forti, 99’, OV/English subtitles, DCP)

12 April, 8pm – Luru Kino at the Spinnerei

Director Julian Radlmaier and producer Kirill Krasovski will be present. 

And, as you know, afterwards we will have the double screening of TARA and FLUIDØ, which will start a little later though—at 10:15pm. Try to be there early or make reservations, too, nonethless. Read more about the two films here. 

Unfortunately, the MOTEL Regiekollektiv had to cancel their visit and won’t come to the screening of TARA tonight.

Let’s hope for a good screening anyway. See you later on in the dark!