08.09.2023 | STATE OF DOGS (BE/MN 1998, Peter Brosens, Dorjkhandyn Turmunkh) / SEASONS OF THE YEAR (SU 1975, Artavazd Peleshian)

Retrospective | ANIMAL REALITIES

NOHOI ORON / STATE OF DOGS 

BE/MN 1998, R: Peter Brosens, Dorjkhandyn Turmunkh, Dok, 91’, OV with English subtitles, 35mm 

Being a desolate stray dog, Basaar is killed by a dog hunter in the dusty streets of Ulaanbaatar. Actually, his destiny would be to be born again as a human, but he denies his fate and leads us in reminiscences to the steppes of Mongolia, in which he was living with the herds being part of a nomadic community until he ended up in the big city. In their dog-documentary-fiction STATE OF DOGS, Belgian filmmaker Peter Brosens and his Mongolian colleague Dorjkhandyn Turmunkh combine post-socialist realities with folklore and mysticism with ethnography in an impressive manner. 

VREMENA GODA / SEASONS OF THE YEAR

SU 1975, D: Artavazd Peleshian, Doc, 29’, without dialog, DCP

Armenian Socialist Soviet Republic, in the middle of the 70ies: a shepherd has jumped after one of his animals into the floods. Giant hay bales are run down steep meadows. A wedding is celebrated. Seasons change. In the snow, the last animals slide down the slope together with the shepherds. Mundane scenes in black and white, sometime solemnly enraptured – bathed in a Vivaldi score – sometime immediate and close, almost rough. Unfolding with a virtuoso montage and visual strength, this impressive portrait SEASONS OF THE YEAR is full of poetry and pathos. 

Fri 8. SeptANIMAL REALITIES
Luru Kino in der Spinnerei
10 PM€ 6,5 (5,5 red.)

08.09.2023 | NEOZOON (DE, 2010-2022)

Retrospective | ANIMAL REALITIES

NEOZOOM SHORT FILM PROGRAMME

2010-2022, DE, D: Neozoon, 80′, OV

The artist duo NEOZOON presents a selection of works that reflect the relationship human-animal and the role of image production in it. Usually, the two of them draw on found material from the internet that they rearrange. At it, posing (and getting turned on) after successful hunting play a role as well as the consumption of animal bodies and the multi-billion clip archive of cute, small animals. NEOZOON get to the bottom of ideological structures and address capitalist exploitation, religious mania and standardised bodies in neoliberalism. Or they intervene in public space, for instance with fictional tunicates they placed in the Zoo of Münster to film the reactions of the visitors. 

Program:
DAS MANTELTIER (2010, 3 min
GOOD BOY – BAD BOY (2011, 3 min)
BUCK FEVER (2012, 6 min)
UNBOXING EDEN (2013, 5 min)
MY BBY 8L3W (2014, 3 min)
SHAKE SHAKE SHAKE (2016, 4 min)
CALL OF THE WILD (2017, 4 min)
LOVE GOES THROUGH THE STOMACH (2017, 15 min)
LITTLE LOWER THAN THE ANGELS (2019, 13 min)
BITING THE DUST (2021, 13 min)
LAKE OF FIRE (2022, 11 min)

Fri 8. SeptLuru Kino in der Spinnerei
8 PMIn the presence of NEOZOON
Q&A after the screening
€ 6,5 (5,5 red.)

08.09.2023 | UN ANIMAL, DES ANIMAUX (FR 1995, Nicolas Philibert) / NO ANIMAL (DE 2022, Christoph Girardet) / GELIEBT (DE 2010, Jan Soldat)

Retrospective | ANIMAL REALITIES

UN ANIMAL, DES ANIMAUX

FR 1995, D: Nicolas Philibert, 59′, Doc, original with English subtitles, DCP

From 1991 to 1994, renowned documentary filmmaker Nicloas Philibert accompanied the renovation and reopening of the Zoology Gallery of the National Natural History Museum in Paris. The portrait is led by the commitment of people who have devoted themselves to museum exhibitions of primed nature. The camera unobtrusively attends their love of detail and their precisions. 


NO ANIMAL

DE 2022, D: Christoph Girardet, Matthias Müller, 21‘, without dialog, DCP

Resulting from excerpts of fictional works, NO ANIMAL is a stylishly composed experiment about cinematic space, movement, atmosphere, colours, rhythm, and emotions. Until at the end, death comes into play. 


GELIEBT

DE 2010, D: Jan Soldat, 15‘, Doc, OV with English subtitles, DCP

Jan Soldat meets men and talks with them in front of the camera. Part of it in LOVED: two dogs. How to tell of a love relationship to the animals? What space is there for intimacy? What does it mean as a portrait subject to show oneself? 


Fr 8 Sept
ANIMAL REALITIES
Luru Kino in der Spinnerei
18:00 Uhr€ 6,5 (5,5 erm./red.)

CLIP

Program overview | ANIMAL REALITIES

Retrospective | ANIMAL REALITIES

ANIMAL REALITIES

We celebrate the animal kingdom, everything that crawls and flies, and head out on no easy trail into the animal realms of documentary film. How are our companions on land, in water and in the air discussed in documentary film, how are they displayed? What is our connection as humans, but also as viewers in cinema, to a reality of life that surrounds us everyday, with which we coexist? On the one hand, we resemble animals, reflect ourselves in them or feel close to them, then again they remain unknown and mysterious – entirely taken for granted, we keep drawing our benefit from them. They are livestock, creature, beast, attraction or friend. Animal documentary film offers a wide range of tension in which filmmakers have always moved, reflecting on and exploring our relationship to animals. Let us take the time to look at the animals, to look closer and to spend some quality time with them – with the beings we share our planet with.

Our selection assembles international short and long documentary films from the 1940ies to contemporary positions. With a particular stylistic and aesthetic precision, they provide unknown or unusual insights into the world of animals, which go far beyond of being purely informative, as we know it from classical, explanatory animal documentaries. We dive into the ecological and political entanglements of animal and human habitats, espy the subtle imbalances in power and brutal exploitation machineries of humans towards the animal world, detect the coexistence with and fascination and care for the diversity of other species, chase after activist-political struggles and crawl into mythological chargings and secrets. Sometimes poetic and sensual, sometimes violent and brutal, or both at the same time, the films are always oriented towards the truthfulness of two worlds that – if we do not consider them separated so much – feature an immense dynamic and create a rescuing bond. 

Fr 08.09.23
Luru Kino
6 PM


ANIMALS AND MORE ANIMALS
BE/NL/CD 2023, D: Baloji, A: Marc Zinga, Lucie Debay, Eliane Umuhire, Yves-Marina Gnahoua, 91’, original with English subtitles, DCP 
NO ANIMAL
DE 2022, D: Christoph Girardet, Matthias Müller, 21‘, without dialogue, DCP 
BELOVED (GELIEBT)
DE 2010, D: Jan Soldat, 15‘, Doc, original with English subtitles, DCP
10 PMSTATE OF DOGS
BE/MN 1998, D: Peter Brosens, Dorjkhandyn Turmunkh, Doc, 91‘, English version with English subtitles, 35mm 
SEASONS OF THE YEAR
SU 1975, D: Artavazd Peleshian, Doc, 29’, without dialogue, DCP 
Tue 12.09.23
Luru Kino
9 PM


PRIMATE
US 1974, D: Frederick Wiseman, Doc, 105‘, English OV, 16mm 
Sat 16.09.23
Schaubühne Lindenfels
6 PM


LE SANG DES BÊTES
FR 1949, R: Georges Franju, Dok, 23’, original with English subtitles, DCP
LEVIATHAN
FR/UK/US 2012, R: Lucien Castaing-Taylor, Véréna Paraval, Doc, 87’, English OV with german subtitles, DCP
Sun 17.09.23
Luru Kino
17 Uhr


ALL THAT BREATHES
UK/IN/US 2022, D: Shaunak Sen, Doc, 97’, original with English subtitles, DCP
19 UhrIT IS NIGHT IN AMERICA
BR/FR/IT 2022, R: Ana Vaz, Dok, 66‘, original with English subtitles, DCP
{IF YOUR BAIT CAN SING, THE WILD ONE WILL COME LIKE SHADOWS THROUGH LEAVE}
SG/FI 2021, D: The Migrant Ecologies Project (Konzept: Lucy Davis), Doc, 28‘, original with English subtitles, DCP

08.09.2023 | Babylon (UK 1980, Franco Rosso)

Special | MILIEU-CINEMA

BABYLON

UK 1980, D: Franco Rosso, A: Brinsley Forde, Trevor Laird, Karl Howman, 95’, English OV, 35mm

At neighbourhood park Rabet on September 8, we present BABYLON by Franco Rosso. Protagonist is a boy called Blue with his ravenous desire to build up a reputation as a dancehall-deejay in London’s reggae culture. With his Ital Lion Crew, he fiercely fights against the racism and xenophobia of employers, neighbours, the police and the National Front. In the London of the late 70ies, these mobile discotheques with their massive speakers were vibrant ambassadors of reggae music in the streets, in clubs and public events. The scene was a mouthpiece for social concerns and political messages. Sound systems were “key institutions” for spreading Afro-Caribbean music, which was denied from getting public airtime until well into the 80ies.


Fri 8. Sept
MILIEU-CINEMA
Stadtteilpark Rabet
3 PM
5 PM
€ Admission for donation
2nd Screening

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